Antique restoration

Our experienced restorers assess each new project in the context of the client’s specific requirements, paying particular attention to preserving the integrity of an object.

Where appropriate, original materials are used to maintain a high standard of authenticity and our work is approached with the utmost sensitivity to our customers’ needs.

Our expertise covers a wide range of antique and modern furniture and works of art and we are able to provide reliable recommendations for items outside our specialist field.

Inlaid pietra dura detail

Our specialisms

Upholstery
Stone carving
Wood carving
Chandeliers
Boulle
Marble
Metalwork
Coloured marble and hardstone inlay, pietra dura detail
Pietra dura
Detail of marquetry flowers and butterfly on a table attributed to Holland and Sons
Marquetry

Before and after

An Indian inlaid cabinet, restored in our West Norwood workshop.

Before, side view
Before, side view
After, side view
After, side view
Before, top detail
Before, top detail
After, front panel
After, front panel

A pair of George I armchairs

A pair of George I carved giltwood and gesso armchairs, circa 1725, attributed to James Moore. Provenance: probably supplied to Simon Harcourt, 1st Viscount Harcourt (d. 1727) for Harcourt House, Cavendish Square, London, as part of a set of eight state apartment armchairs. The armchair frames were restored and re-upholstered and the gilding refreshed.

Before
Before
After
After

A carved knee, replaced

A missing carved knee on a ball and claw leg, carved new in the workshop to match the original, then toned and polished into the old surface.

Before: new carved knee in bare wood joined to the original leg
Before: the new carving, in bare wood
After: the carved knee toned and polished to match the original
After: toned and polished

A statue, restored

A statue came to the workshop with its plinth broken and one foot missing. We replaced the foot, the plinth and part of the drapery, and matched the finish to the original, leaving the rest of the old surface as found.

As found: the statue standing on its broken plinth, with a gap where the foot and base are missing
As found
Before: the statue with the missing foot and plinth replaced in white, before the finish was matched
Before
After: the statue with the foot, plinth and drapery replaced and the finish matched
After

In the workshop

Water gilding, lacquer and gesso work at the bench in West Norwood.

Gilding at the workshop bench
Carved ornaments being gilded on the workshop benchA newly gilded carved ornament held in the handsGilding a carved ornament by handApplying gold to carved ornaments in the workshopGilding carved ornaments with a fine brushCarved ornaments laid out for gildingGesso and gold on carved ornaments in the workshop
A restorer gilding at the workbench
At the bench
Period hardware and gilt mounts kept in stock for restoration
Period hardware, kept in stock for restoration
Hand retouching a chinoiserie lacquer surface with pigments
Retouching lacquer by hand
Restoring a black and gold lacquer panel at the bench
Lacquer panel, colour matched in the workshop
A restorer retouching a chinoiserie lacquer panel, with pigments, brushes and tools beside him
Retouching to match the original lacquer

Have a piece that needs care?

Send us a photograph and a few words about the piece and we will come back to you with our advice.

We work with clients across central London, including Chelsea, Mayfair, Kensington, Belgravia and Westminster, and can collect and deliver your piece.

Get in touch